Identification method of stone carving tea collection value

The collection of a pot is based on the feelings of collectors. People's hearts are all moving and moving. They want to have desires, desires, desires, objects, decorations, rewards, and use to complete the visual beauty and the feeling of beauty.

In the history of the development of tea culture in China, the use of natural stone pots began in the 1980s. The stone pot art has now formed three major styles: one is the origin of the Zisha teapot art, which is mainly the traditional carving art style; the second is the traditional carving art origin, and the development has formed the modern realistic carving art style; the third is the natural Ornamental stone modeling is the source of this, and proper processing is performed to preserve the original flavor of the stone. There is a modern abstract implied natural art style. Collection lovers can choose from a variety of artistic style stone pots according to their preferences.

To identify the collection value of a stone pot, no matter what art style stone pot, it can be summarized as follows:

First, the stone pot modeling art stone pot shape art is to give people the direct sense of the first visual, visual effects into the eyes first is comfortable. This is mainly the proportion of the size of the four large volumes of the ampulla, pots, pots, lids, giving people a beautiful, natural, decent visual experience. Beru (a mouth) should be in an arc shape, dynamic, and when the water is poured, the water flow should be long and smooth. The ampulla should be steady and the pots should feel good.

Second, the stone pot composition art An artistic stone pot, giving the visual effect is actually a three-dimensional painting, no matter which angle you go to watch it, it should be a complete picture, which should be from the painting composition The aesthetic point of view to identify the artistic value of stone pots. Bijou paintings should pay attention to the relationship between the dense and the dense. The picture should not be too full. There must be enough air-permeable areas, and various shapes and structures in the picture must be changed.

Third, stone pot carving skills This mainly depends on the author's hand on the stone pot work. Knife skill reflects the author's state of mind, but also fully embodies the author's skills. This is the combination of the comprehension of the author and the time of art. Knife skill is also a wave of strokes in traditional Chinese painting. The authors who have deep skills have an imposing manner. A stone pot that is well-engraved and has a good sculptural power does not show the human use of what kind of tools, but it resembles a naturally formed work. In the same stone pot with a higher artistic level, the depth of the carving skill also determines its value. Those pots with loose lids and chaotic marks are unqualified or inferior products.

Fourth, the application of stone carving can now be used to make a lot of stone pot carving, but not what stone carving can be used to make pots. First of all, look at the use of color in stone pots. Stone pots of different artistic styles should be suitable to choose different colors of stone carvings. Bijou's realistic style stone pot can't be carved with fancy and brilliant colors, otherwise it will be far-fetched. In addition, we must know the chemical composition of stone carving. Some stone carvings that are unfavorable to human health cannot make stone pots that are both ornamental and practical. Also look at the practicality and luxury of stone carving. Ruguo stone pots have cracks or make up for leaks with glue. They should be inferior stone pots. How to identify whether the stone pot crack or trap it? First use the lid to gently tap the body, listen to the sound can be identified, and then boiled with boiling water, leaking stone pot will be the prototype.

5. Conceptual Art of Stone Pot The art of stone pot is a comprehensive embodiment of the author's social experience, cultural accomplishment, ideological sentiment, and artistic foundation. The design of a stone pot was designed to determine whether the success of the pot was half that of the design. A stone pot with high artistic value was not produced for a long time, but the time of conception was tens or even hundreds of times of the production time. It took a year or two to conceive of a stone pot shape. thing. Thoughtful stone pot works are the true collection value.

Sixth, the stone pot of the valuable stone pot, there is a very important issue, we must pay attention to the stone pot brand, that is to say there are collections of stone pots. An artist no matter who he is, he always has a process of growth and development. Whether it is an early work or a late work, as long as it is recognized as a famous artist, then the stone pot of such a brand will certainly have a considerable collection value.