Accident de YU Jia Bowl | China International Fashion Week 18AW

The hearts of bananas are crushed, and the sound is reminiscent of the original.

Sleeping also shows old books.

When you read the small print, you still remember the hand.

Tiredness was low, and half of it was blurred.

The secluded window is cold and rainy.

The material should be loved, but also love?

A song "Linjiang Xian bit by bit banana heart desire to break" Road to make the most famous poet Nalan Sex in the Qing Dynasty on the love of romance, fanish, ambiguous description.

This time, Yu Jia and senior custom brand I VESTITI YJ are released in a fashion work that blends the heritage of different ancient and modern Chinese and foreign arts and pay tribute to her favorite classic legend. The theme of the fashion show called "The Orchid" was inspired by the love story of the legendary Nalan Sex and his cousin. The famous scholar of modern times in China, Wang Guowei, once said: “Everything beauty is the beauty of form. On beauty’s own words, all the beauty is in the symmetry, change, and reconciliation of the form.” Designer Yu Jia strives to be more meticulous and exquisite. The decorative elements of the Qing Dynasty, the delicate and feminine Rococo art of the West, combined with contemporary dress fashion, depicting and expressing gratitude to a generation of poets with artistic tension and colorful colors.

I VESTITI YJ2018 autumn and winter new products presented a total of 40 sets of "clear beautiful, graceful, high-Yuan Yun," the latest designer works, through four series of "Zhulan" theme in-depth display.

Minhing - the classic long western-style dress with hip-cut shorts, showing the custom of leisure after the fusion of ancient and modern; top depth improvement, V-neck open to the waistline, sleeve-type light, showing a feminine sexy side; all on the jacket structure of provincial edging lines to a tapestry, a space division highlight new silence being installed.

Income gown - Manchu Qing-style jacket with typical Chinese style with high collar and buttons down the front auspicious patterns, telling traditional Chinese clothing culture; thin waist, wide skirt Rococo style dress with matching, foreign clothing etiquette the essence of a new generation of innovative and elegant grace.

A long - as the Qing Dynasty costumes culture spread far one of the representatives of the collar, double-breasted, sleeveless vest is heritage and improved structural characteristics remained, but be vary in length and dimensions, tight bodice long on Under the pine, with the ancient rhyme wide bracelet, make the tradition reborn in the contemporary.

Meteorite – a rococo-style dress that highlights women’s natural characteristics. In this innovation, the traditional features of the exaggerated skirt of the bodice are still stunning. The waist section, which is lengthened to 8 cm, and the super cuff, which is more than 10 cm wide, are faintly visible in the Qing Dynasty. The shadow of the court costume, the skirt of the dense folds, is decorated with silk and gemstones, which is gorgeous, elegant and unobtrusive.

Yu Jia is good at combining Western art style with Eastern aesthetic philosophy and cultural tradition. This season's main push styles are for advanced customization. The actual wear is based on suits, skirts, vests, etc. All are well-received and cut-out lines favored by contemporary women; complete and rigorous style, with hand-sewn stone details Shows the blending, complementarity, and derivation of Chinese and Western art styles in contemporary fashion; the Qing Dynasty's representative “inlaid embroideries” decorative idioms, which symbolise auspicious and happy “Ruyi lines” and elegant velveteen fabrics and brocades of various colors. , For the able urban women to add a romantic soft and mysterious exquisite atmosphere.

Beautiful colors, exquisite and exquisite decoration, as well as deliberate asymmetry and complicated curves make Yu Jia's new season work more delicate and more feminine. The whole release is based on the sleek blue fabric of velvety blue, and is accompanied by ten kinds of Qing dynasty dresses, including moon white, ochre, dan, baicao, yanli, rouge, ochre, indigo, green and beige. The usual winter colors create a rich and colorful taste of fashion.

In Yu Jia’s view, the Qing Dynasty was a booming period in the development of Chinese ancient costume culture. In the past 300 years, a full-fitting garment pattern with long-fitting clothing and short sleeves replaced the thousands of wide-sleeved sleeves and skirts. The clothing shape system, Manhan costume culture fully blend and create a variety of new costume cultural effects, its variety of clothing art variety, rich in changes, profound cultural implications, rich and delicate costume content, called the history of clothing By. In particular, the Qing Dynasty has now lost the royal knitwear technology, silk clothing without silk cut but comfortable fit, but also let her feel the most admiring. To transform the typical style of the traditional costume culture elements of the Qing dynasty into a symbol, a language, and a Rococo style that has a significant influence in the process of Western culture, representing exaggeration, luxury, relaxation and enjoyment, using modern design languages. The integration into the current life will inevitably lead to outstanding works that blend ancient and modern, Chinese and Western cultures, traditional craftsmanship and modern skills.

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